![]() ![]() The neck is just a way to identify what I and many others consider to be the best Super 20's. Keep in mind that the richness of sound of the late '40s and 1950s Super 20's doesn't have much if anything to do with the DS-neck. ![]() Finally, you have the early '60s single-socket neck Clevelands, which are just as bright as those from the late '50s but as noted, a little cleaner sounding and not quite as rich as the 1950s DS-neck variety. Then those from 340,xxx to the last ones with the DS-neck are still as rich but brighter sounding. 1961), to me they are not that much different from the Eastlakes in that both are cleaner sounding and not as rich as earlier Super 20's.īreaking down the Clevelands, basically the earliest Super 20s are the darkest and richest going up to around 340,xxx (though still relatively bright compared to other horns of the period). However, once you get up to the single-socket neck Clevelands (ca. I've owned several Clevelands and Eastlakes, and though early Eastlakes can be good players, I've found the Clevelands to be generally richer sounding horns. ![]()
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